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In a way, profiles are like Lightroom presets. They both have editing information saved to it and will adjust your images based on those edit settings. Both profiles and presets are non-destructive too. The difference between the two is you can change the edits applied via presets but not with profiles. Think of profiles as a starting point for your editing. To make matters more confusing, your camera manufacturer has more profiles to choose from! No worries… Based on the profile, it applies a certain amount of contrast, color saturation, and tonal adjustments.Īdobe has its own set of profiles for Lightroom and ACR.

…this article is going to de-mystify Lightroom and camera profiles, so you know which one to use for YOUR images. When it comes to editing, I believe that editing starts in-camera and not in Lightroom! Oh, and if you were or are a film photographer, you use profiles too! More on that coming up soon. Since your camera manufacturer has profiles too, this should be one of your first selections.īut, the question is which one should you choose?įor my Nikon Z6, there are 11 profiles to choose from! 6 color and 5 monochromes. The color options have been named based on possible uses. Depending on your camera, the matching profiles might be similar to these…įlat – minimal saturation and contrast. This is similar to Adobe’s Neutral profile.

It’s the closest to “raw” you can get and gives you the most creative control.

Landscape – saturation is more vibrant, and contrast is bold. For my Nikon, it has the most vibrant saturation and strongest contrast. Neutral – built on the flat profile and has a bit of saturation and contrast. Portrait – designed for pleasing skin tones. Standard – more saturation and contrast vs. Now, it’s your turn to fire up Lightroom and go through each camera matching profile to see how each affects your images.This is normal. The white balance is not recorded in the raw file as degrees kelvin - it is recorded as coordinates in a color profile, which is then translated back to degrees by Lightroom using its own color profile. Because the camera makers do not share the details of their raw files, Adobe created their own, and they differ slightly from the camera's. You can safely ignore the numeric discrepancy.Īlso you might note that setting the WB in the camera only affects the in camera processing which applies only to JPEG files produced by the camera. A RAW file from your camera will not have any WB applied to the values recorded by the sensor. If it did, it would cease to be a RAW image. The EXIF values that you see only reflect the settings that would be applied if a JPEG is produced from your RAW file.

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